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-----Suzanne Broughel----- Forty Acres of Bandaids

Saturday, July 16, 2011

Underground Railroad Exhibition

This installation was featured in the Underground Railroad Exhibition at Northern Kentucky University - an exhibition co-sponsored by the Underground Railroad Freedom Center in Cincinnati, Ohio. It was timed to coincide with the opening of the Freedom Center in 2004. The title of this installation - "Conceal As You Heal" - is a slogan taken directly off of the packaging of Ebonaide brand bandaids (the dark brown bandaids used in my work). The installation consists of a 6' x 9' plastic sheet of bandaids stretched tautly across one corner of the gallery. From the exterior, only light skin tones are visible. The interior space brings the viewer into close contact with the "buried" dark brown bandaids, along with photos on the wall of people of various skin tones wearing the brown bandaids. The plastic sheet of bandaids uses the same "palette" of bandaids established in my earlier work "Forty Acres of Bandaids".
Posted by Suzanne Broughel Forty Acres of Bandaids at 7:07 PM
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      • Review by Rehema Barber
      • Solo Exhibition @ The University of Memphis
      • Exhibition at Marlborough Gallery
      • Solo Show @ Aljira
      • Art Supplies
      • 40 Acres of Bandaids (Every Shade of Bandaid for S...
      • The African Burial Ground
      • Bandaid Chart
      • Show at P.S. 1/MOMA
      • Conceal As You Heal Photo Project (ongoing)
      • Fear of a Black Planet
      • Underground Railroad Exhibition
      • Bandaid Boxes
      • Reinterment Ceremony at the African Burial Ground
      • Uh-Obama: Racism, White Voters and the Myth of Col...
      • Suzanne Broughel's Interview in Nat Creole Magazine
      • Slavery in New York Website
      • Victims' Symptom @ Labforculture.org
      • Link to More Artwork
      • CONTACT

About Me

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Suzanne Broughel Forty Acres of Bandaids
New York, New York, United States
Email: SBroughelStudio@gmail.com In her artwork, Suzanne Broughel explores issues of race – particularly the construct of whiteness and its implications towards being a raced individual. She has been a participant at Skowhegan School of Painting and Sculpture, Triangle Artists Workshop, The New Museum R&D Seminar, The Art & Law Program and The Aljira Emerge Program. Her fellowships include New York Foundation for the Arts (sculpture), AIR Gallery and the Laundromat Project: Create Change. She has exhibited at P.S.1/MOMA, Marlborough Gallery, Columbia University, and Longwood Gallery, among other spaces. Broughel is a member of the tART Collective.
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