H(A)UNTED @ The Caribbean Cultural Center

Curated by Shantrelle Lewis, extended through May 30, 2012.

Review by Rehema Barber

In Number: An independent arts journal/Summer 2011

Solo Exhibition @ The University of Memphis

"Lied, Tied and Dyed", a solo exhibition at the Jones Gallery, University of Memphis. Organized by Lester Merriweather. Feb. 24 through March 25, 2011. View images of the exhibition here.

Reviews:  
Number: An Independent Journal of the Arts, by Rehema Barber (page 18).
"Lied, Tied and Dyed" reviewed in the Memphis Flyer.
 "Suzanne Broughel's Lied, Tied, & Dyed Is A Must See In Memphis", Global Grind.
               

Exhibition at Marlborough Gallery

June 3 - July 9, 2010 (view catalog)

Curated by Diana Campbell and Eric Gleason.

(updated july 2011)

Solo Show @ Aljira

This installation - "The Sensitive White Intellectual" - draws its title from the 1960's historical document "Student Nonviolent Coordinating Committee Position Paper: The Basis of Black Power".  Created during the Triangle Artists Workshop and installed here at Aljira Center for Contemporary Art in Newark, NJ.  Materials: bed sheets, pillowcases, t-shirts, white cotton gloves, skin bronzers, clothesline, clothes pins, shoelaces.

Art Supplies

"White Confidante of a Black Panther (Self-Portrait as David Horowitz)" is a tie-dye made using self-tanning lotions on a white bed sheet.

40 Acres of Bandaids (Every Shade of Bandaid for Sale Within 40 Acres of the African Burial Ground, NYC) by Suzanne Broughel

This is a wall sculpture made from bandaids on fabric. I did an "inventory" of every shade of bandaid for sale within forty acres of Manhattan's African Burial Ground. The result was 22 shades of light toned bandaids and one dark brown shade. The dark brown bandaids were Ebonaide brand bandaids - a discontinued product for dark skin tones that I found at a 99 Cent Store.