tag:blogger.com,1999:blog-34189331228590417892024-03-19T02:51:19.331-07:00-----Suzanne Broughel----- Forty Acres of BandaidsSuzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comBlogger54125tag:blogger.com,1999:blog-3418933122859041789.post-66296912561500559882019-03-24T20:00:00.000-07:002019-03-24T17:31:37.501-07:00News, Press, CV, Etc.<div>
<b>CONTACT</b>: SBroughelStudio@gmail.com<br />
To view or download CV click <a href="https://drive.google.com/file/d/1fFXpmc3egCCDjynCHYuVTDzIMdlDM0xD/view"><span style="color: blue;">here</span></a>.<br />
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<b>Website: </b>New website<a href="https://www.suzannebroughel.net/"><span style="color: blue;"> here</span></a>.<br />
<b>Exhibition: </b><span style="color: blue;"><a href="https://www.skowheganart.org/event/2019/2/8/distance"><span style="color: blue;">Distance: Works on Paper by Skowhegan Alumni</span></a>,</span> Dorsky Gallery, Queens, NY<br />
Feb. 17 - April 7, 2019<br />
<b>Exhibition: </b><a href="https://www.instagram.com/p/BtjzZSul6H1/"><span style="color: blue;">Fe(male)</span></a> at Kress on Dexter, Montgomery, AL Feb 1 - April 30, 2019<br />
<b>Exhibition: </b><span style="color: blue;"><a href="https://www.instagram.com/p/BoM8aPTHj25/"><span style="color: blue;">Peace & Justice</span></a> </span>at The Arts Center at Delaware State University, Oct. 4 - Nov. 9, 2018<br />
<b>Exhibition: </b><a href="http://groundfloorbk.com/news/1/"><span style="color: blue;">Allow Me to (Re)Introduce Myself</span> </a>at the Cigar Factory, June 21 - July 19, 2018<br />
<b>Video: </b><a href="https://www.youtube.com/watch?v=obILwfmv_g0&feature=youtu.be"><span style="color: blue;">By(e) Default Exhibition</span></a>, San Diego Mesa College, Feb. 15, 2018.<br />
<b>Exhibition:<a href="http://www.sdmesa.edu/campus-life/galleries-and-attractions/mesa-college-art-gallery/index.shtml"> </a></b><a href="http://www.sdmesa.edu/campus-life/galleries-and-attractions/mesa-college-art-gallery/index.shtml"><span style="color: blue;">By(e) Default</span></a>, Mesa College Art Gallery, San Diego, CA, Feb. 5 - 28, 2018<br />
<b>Exhibition:<span style="color: blue;"> </span></b><span style="color: blue;"><a href="https://www.yehgallery.com/claudiarankineindex.html"><span style="color: blue;">Citizen</span></a>,</span> Yeh Gallery at St. John's University, Queens, NY Jan. 15 - March 14, 2018<br />
<b>Online: </b>Claudia Rankine's The Racial Imaginary: <a href="https://theracialimaginary.org/issue/the-whiteness-issue/suzanne-broughel/"><span style="color: blue;">The Whiteness Issue</span></a><br />
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<a href="http://www.studio-beat.com/artists/suzanne-broughel-artist-nyc/"><span class="Apple-style-span" style="color: blue;">Interview: Studio Beat </span></a><span style="color: blue;"> </span><br />
<a href="http://tartcollective.blogspot.com/2012/06/studio-visit-with-suzanne-broughel-by.html"><span style="color: blue;">Interview: tART Blog</span></a><br />
<span style="color: #0b5394;"><a href="https://drive.google.com/file/d/0B0EjWFtcME9nUHJabWp5UWFiX2M/view?usp=sharing">Interview: Nat Creole Magazine</a></span><br />
<a href="https://www.tartnyc.org/"><span style="color: blue;">tART Collective</span></a></div>
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Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-41542781880030556592019-03-23T22:00:00.000-07:002019-03-24T17:33:47.141-07:00NEW WEBSITESee new website <a href="https://www.suzannebroughel.net/"><span style="color: blue;">here</span></a>.Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.com0tag:blogger.com,1999:blog-3418933122859041789.post-47410551663841971072019-03-08T12:25:00.000-08:002019-03-24T17:29:57.821-07:00NEW WEBSITE<span style="color: blue;"><a href="https://www.suzannebroughel.net/">https://www.suzannebroughel.net</a></span><br />
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<br />Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-46258879972271160992018-10-17T06:41:00.000-07:002018-11-09T06:42:48.547-08:00Delaware State University ExhibitionMy piece titled <i>Everywhere and Nowhere (For John Brown) i</i>s on exhibit at The Arts Center at Delaware State University - <a href="https://www.instagram.com/p/BoM8aPTHj25/">Peace & Justice Exhibition</a>.<br />
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<tr><td class="tr-caption" style="text-align: center;">Everywhere and Nowhere (For John Brown), 2015<br />Laser prints, key chains, found keys.<br />Dim: 12" x 9.75" x 2.5"</td></tr>
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<br />Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-90730208027612560092018-02-09T22:00:00.000-08:002018-02-12T08:41:02.346-08:00Artist Statement for By(e) Default Exhibition at San Diego Mesa College GalleryI’m a white female artist making work that seeks to challenge white supremacy. For a white person to have their full humanity, they have to actively oppose white supremacy, and I want to be whole. My art materials are the stuff of everyday life - the deceptively innocuous things marking our presence within the spaces we inhabit each day.<br />
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Health and beauty aids are things we bring into our homes, put on our skin, and use in our daily routines voluntarily. We encounter office supplies in a myriad of ways, and even in the most impersonal institutional setting, they come in contact with intimate details of our being.<br />
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As mass-produced commodities, these materials also maintain a connection to global capitalism, reminding us that we are part of a bigger picture of structural oppression. This awareness can be an entry point into a conversation about race.<br />
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I’m increasingly turning to autobiography in my art-making, spurred on by a question posed by antiracist organizers at a meeting I attended:<br />
“When did your family become white?” I obtained some of the materials for these artworks during my first visit to Canada in the spring of 2017, as I pondered my French Canadian ancestry, which I know little about since my maternal grandmother died when my mother was two years old. I even found an academic article titled <i><a href="http://www.tandfonline.com/doi/abs/10.1080/01419870.2015.1103880?journalCode=rers20">How French Canadians became White Folks, or doing things with race in Quebec</a></i> during that trip.<br />
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This deconstructing of whiteness gives me hope.<br />
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- Suzanne Broughel</div>
Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-57752331819200868092018-02-07T20:00:00.000-08:002018-02-11T17:03:52.544-08:00By(e) Default Curated by Andrea ChungSan Diego Mesa College Art Gallery presents By(e) Default, curated by San Diego artist Andrea Chung. Through the works of five contemporary artists and three poets, this exhibit challenges racial codings and engages in both the revision and celebration of Black History.<br />
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Featuring:<br />
Elizabeth Axtman<br />
Suzanne Broughel<br />
Cortney Lamar Charleston<br />
Lissa Corona<br />
JC Lenochan<br />
Jason Patterson<br />
Claudia Rankine<br />
Nicole Sealey<br />
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Chung states: By(e) Default aims to highlight an unconscious and contradictory thought, whiteness is the default, but it denies that it is privileged, all while fearing the loss of its position as the “default.” Whiteness is the standard for how we (and others) measure ourselves (and others). It goes unnoticed until it is deposed from its pedestal. White history is posited as American history, ignoring the full citizenship and contributions (voluntary or involuntary) of people of color in this country and the full context of their stories. It also dictates when we can acknowledge our history and when our opinions and expertise “matter.”<br />
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February 5 – 28, 2018<br />
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<br />Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-38615107946215057982018-02-05T20:00:00.000-08:002018-02-11T16:56:57.892-08:00New Work On Exhibit In San DiegoThese two new pieces are among the eight works of mine included in the <a href="http://www.sdmesa.edu/campus-life/galleries-and-attractions/mesa-college-art-gallery/index.shtml"><span style="color: blue;">exhibition</span></a> By(e) Default at San Diego Mesa College Art Gallery, curated by artist Andrea Chung.<br />
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<br />Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-11209847326775820452018-01-31T22:00:00.000-08:002018-02-11T16:53:20.965-08:00Group Show Inspired by Claudia Rankine's "Citizen"<div class="separator" style="clear: both; text-align: center;">
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St. John’s University and Dr. M. T. Geoffrey Yeh Gallery presents Citizen. The <a href="https://www.yehgallery.com/claudiarankineindex.html"><span style="color: blue;">exhibition </span></a>features twenty artists whose work illuminates the concerns expressed by Claudia Rankine in her book of the same title as part of the 2018 NEA Big Read grant received by St. John’s.</div>
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Participating artists: American Artist, Nayland Blake, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=839570444&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/suzanne.broughel?fref=mentions" style="cursor: pointer; font-family: inherit; text-decoration: none;"><span style="color: black;">Suzanne Broughel</span></a>, Nick Cave, Nancy Chunn, Sophia Dawson, Nona Faustine, Charles McGill, Vanessa German, Karen Hampton, Shaun Leonardo, Maria de Los Angeles, John Lucas/Claudia Rankine, Christie Neptune, Howardena Pindell, Joyce Kozloff, Stephanie Syjuco, Tiffany Smith, L J Roberts, and Hank Willis Thomas</div>
Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-9453496173229245332017-05-28T21:30:00.000-07:002018-03-13T13:30:38.671-07:00New Work Toronto: Feminist Art Conference Residency<div class="separator" style="clear: both; text-align: center;">
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Looking at my French-Canadian heritage in the context of <i><a href="http://www.tandfonline.com/doi/full/10.1080/01419870.2015.1103880?scroll=top&needAccess=true&"><span style="color: blue;">How French-Canadians became White Folks</span></a></i>. My first opportunity to visit Canada brought me to Toronto rather than Quebec or Montreal. I made these pieces during the <a href="https://factoronto.org/fac-residency-2017/"><span style="color: blue;">Feminist Art Conference Residency</span></a>. I wanted to find French-Canadian "things" (non-food items). In advance of the trip, I'd researched "French-Canadian arts & crafts". From the crafts listed in my research, all I could find during my visit (with time/travel constraints) was polyester lace from the Salvation Army thrift store. Not quite real lace, but a perfect metaphor for my project, because I'm not quite French-Canadian (my maternal grandmother was, but she died in New York when my mother was two and we lost all contact with our French-Canadian relatives). I found French-Canadian manufactured bleach from the Toronto dollar store to bleach some of the fabric, and even items manufactured elsewhere had bilingual French/English packaging. At the dollar store, I also found Canadian versions of materials that I'm more familiar with, such as file folders (bilingual too!), bandaids, and white out. I got enough materials to continue experimenting with when I return to New York. Images of some of the new work below.<br />
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Materials: file folder, correction fluid<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxo6_iM9ZphRkBPVXeVrm8MKRoYry0bBt2CQAtV-oD8Z1qYroPgrNDUCkLJvvD8ngRA2buRAUVYl1_zaGDu-ojeOrekpH2CLs5-g_8HdihXpaKN-woMmjfwNQDv75ANoh_8adlEI7oErs/s1600/FACblog20.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1459" data-original-width="1094" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxo6_iM9ZphRkBPVXeVrm8MKRoYry0bBt2CQAtV-oD8Z1qYroPgrNDUCkLJvvD8ngRA2buRAUVYl1_zaGDu-ojeOrekpH2CLs5-g_8HdihXpaKN-woMmjfwNQDv75ANoh_8adlEI7oErs/s320/FACblog20.jpg" width="239" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Nom/Name II</i><br />
Materials: file folder, correction fluid</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMEUjZnBhGXYy9wv70desxGaBY67wK6dGkGTIfEdIa3ovdMYUwDS46bQpbQ3NI-ptbcs12iu_AgdcwVF4dJPNMDAWMPvFqqKerksovx4j5w2O9Eqs5RcDf8hYrwgGGbeQOihZq9cnSDpo/s1600/FACblog9.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1094" data-original-width="1459" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMEUjZnBhGXYy9wv70desxGaBY67wK6dGkGTIfEdIa3ovdMYUwDS46bQpbQ3NI-ptbcs12iu_AgdcwVF4dJPNMDAWMPvFqqKerksovx4j5w2O9Eqs5RcDf8hYrwgGGbeQOihZq9cnSDpo/s320/FACblog9.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Nom/Name II</i><br />
Detail</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz3UR4htVs2lUc7I95QlZ1ZrW-bh1TtdHkJMaBfpL_PBVrAN0RZX60m2JiU0_lTY4-u3uuuL5stV34QmfWN2yeH7cOdCbu3Z6ybB4QuywQJWLXNlrIItME4lxoZ-UDWhV43F1oB-7IPkE/s1600/VisiteurBlog.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="774" data-original-width="978" height="254" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz3UR4htVs2lUc7I95QlZ1ZrW-bh1TtdHkJMaBfpL_PBVrAN0RZX60m2JiU0_lTY4-u3uuuL5stV34QmfWN2yeH7cOdCbu3Z6ybB4QuywQJWLXNlrIItME4lxoZ-UDWhV43F1oB-7IPkE/s320/VisiteurBlog.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Visiteur<br />Materials: plastic name badge holders, file folder pieces, polyester lace.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYPoufEL13fcY7qs6ssk-ZgGVQtDRnqdkOacgsWLsWHI1PtQgFg3rgLNxjr5vQ0azj-0DumH9G9ZfQDbZgPEzprzhsGstTKgxtt3TD4ypcbS2_ZGMc1PSHDsNOU1pTuYjJnga2hQGKsPI/s1600/FACblog11.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1062" data-original-width="1450" height="234" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYPoufEL13fcY7qs6ssk-ZgGVQtDRnqdkOacgsWLsWHI1PtQgFg3rgLNxjr5vQ0azj-0DumH9G9ZfQDbZgPEzprzhsGstTKgxtt3TD4ypcbS2_ZGMc1PSHDsNOU1pTuYjJnga2hQGKsPI/s320/FACblog11.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div style="font-size: 13px; text-align: center;">
<i>Nom/Name III</i></div>
<div style="font-size: 13px; text-align: center;">
Materials: file folders, bandaids</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXGNmrjN6QHTYfHZ0Tbt-PS73wL-x8JBaXNajEd8VaxgaNqtGIJmSUJCrab8dgMaOE6zp41nVAG-8xO3hklXjE7RaA5c1zAh_uBgPdAvvsPSYIV27cA9g6Nkva1QgbiJ0V71IGx2aGDb8/s1600/FACblog12.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1459" data-original-width="1094" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXGNmrjN6QHTYfHZ0Tbt-PS73wL-x8JBaXNajEd8VaxgaNqtGIJmSUJCrab8dgMaOE6zp41nVAG-8xO3hklXjE7RaA5c1zAh_uBgPdAvvsPSYIV27cA9g6Nkva1QgbiJ0V71IGx2aGDb8/s320/FACblog12.jpg" width="239" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Nom/Name III</i><br />
Detail</td></tr>
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Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-151206738621972012017-05-27T22:00:00.000-07:002017-05-31T00:42:45.122-07:00Evacuation from Feminist Island!Halfway through the Feminist Art Conference Residency at Artscape Gibraltar Point on Toronto Island, we had to <span style="color: blue;"><a href="http://www.metronews.ca/news/toronto/2017/05/23/feminist-art-conference-island-flooded.html">evacuate</a> </span>due to "once-in-a-century" flooding. Climate change is real!<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj47A2903E_M_1xph9wiaY_DhXCBF4VjyYg1UfDeJKJHS_qI0O0BtdDtMlwLi4PZPfAJhkPUNnKR-OHIDPsvaQ066kgUoe9FBiBYMeYCxajUjS82rNz9s2SNvjqEoEBvjJjaQDB77E6EVI/s1600/PHJFMeW.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj47A2903E_M_1xph9wiaY_DhXCBF4VjyYg1UfDeJKJHS_qI0O0BtdDtMlwLi4PZPfAJhkPUNnKR-OHIDPsvaQ066kgUoe9FBiBYMeYCxajUjS82rNz9s2SNvjqEoEBvjJjaQDB77E6EVI/s320/PHJFMeW.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Toronto Island Under Water. source: http://imgur.com/gallery/zoVAI</td></tr>
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<br />Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-61725798325292876312016-08-28T19:32:00.000-07:002016-08-29T19:32:48.945-07:00Smack Mellon Hot Picks 2016This is the third time I have been selected as a <a href="http://smackmellon.org/index.php/contact/hot_picks/hot-picks-2016/susan-broughel/"><span style="color: blue;">Smack Mellon Hot Pick</span></a>! Thank you Smack Mellon!<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxvQVpsHvKQKyPf-H-HqyIQzRBz5ObQc2jOg89vo8fkTt5igD6Nyr4ZspF-fFVpRhunPSCVVneGF8WdGj4Bju8GKdI0CflSNiPwaTYOjvCCVz4hFiItuaOnvKa_X83SuSeZyHYuhYjWCM/s1600/SmackMellon1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxvQVpsHvKQKyPf-H-HqyIQzRBz5ObQc2jOg89vo8fkTt5igD6Nyr4ZspF-fFVpRhunPSCVVneGF8WdGj4Bju8GKdI0CflSNiPwaTYOjvCCVz4hFiItuaOnvKa_X83SuSeZyHYuhYjWCM/s320/SmackMellon1.png" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlS-dKse3y1hOqDD03-YmKW7VMfhsIFpvXEUd3jILnuWwuX0KGaamVkX-VFzmcUzY1RR-auWdsI3TGDR5BFCMWQz288WsKvwHRbZGt4qIgah5AomE-eYaIuvbwN_Wu1OjrPuDiI4Pu7kA/s1600/SmackMellon2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlS-dKse3y1hOqDD03-YmKW7VMfhsIFpvXEUd3jILnuWwuX0KGaamVkX-VFzmcUzY1RR-auWdsI3TGDR5BFCMWQz288WsKvwHRbZGt4qIgah5AomE-eYaIuvbwN_Wu1OjrPuDiI4Pu7kA/s320/SmackMellon2.png" width="320" /></a></div>
<span id="goog_240819720"></span><span id="goog_240819721"></span>Check these postings on Instagram <span style="color: blue;"><a href="https://www.instagram.com/p/BJkvNSTDqwx/?taken-by=smackmellon"><span style="color: blue;">here</span></a> </span>and <a href="https://www.instagram.com/p/BJoAaU5DjzO/?taken-by=smackmellon"><span style="color: blue;">here</span></a>.Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-15221958839991184392016-06-21T22:00:00.000-07:002016-08-24T21:51:50.769-07:00Writing: For White Women Who Want to be Worthy of Inclusion in Feminism<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL8EPdf435AUuPQQQNfJvtspzbxenTpNe5HptOkVDhA8QpA3beqkGJPqYh3lDYnJpcipU2-gOM2SNJMDdEsRO9ElRvfYFmqQw1aY8P8w2mijz8qCkti_8MisE55QCNsLNOdAgjk1YpX5o/s1600/wrblog.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="121" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL8EPdf435AUuPQQQNfJvtspzbxenTpNe5HptOkVDhA8QpA3beqkGJPqYh3lDYnJpcipU2-gOM2SNJMDdEsRO9ElRvfYFmqQw1aY8P8w2mijz8qCkti_8MisE55QCNsLNOdAgjk1YpX5o/s320/wrblog.png" width="320" /></a></div>
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I wrote this for the Wonderroot blog, in conjunction with the exhibition<span style="color: blue;"> <span style="color: blue;"><a href="http://www.wonderroot.org/A-Bad-Question-Exhibition"><span style="color: blue;">a bad question</span></a>.</span></span> Read</div>
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the full piece<span style="color: blue;"> <a href="http://www.wonderroot.org/tartlanta-white-women-want-worthy-inclusion-feminism/">here</a></span>.</div>
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<br />Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-29598068704188702802016-06-20T15:32:00.000-07:002016-10-16T15:33:58.188-07:00Collaboration with the Smoke School of ArtI co-organized, with <a href="http://blackflight144.com/">Christopher Hutchinson</a>, a collaboration between our two collectives - tART and the <a href="http://smokeschoolart.org/">Smoke School of Art (SSA)</a>. <i>A Bad Question</i> included a gallery exhibition at Wonderroot in Atlanta, an intersectional feminist symposium at the Atlanta-Fulton public library, an online exhibition and more.<br />
During our time in Georgia, tART members were in residency at the beautiful home and studio of SSA member <a href="http://www.juliomejiaart.com/">Julio Mejia</a> in the mountains of Jasper, Georgia.<br />
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Learn more about the <a href="http://www.tartnyc.org/a-bad-question-">project </a>at tART's website, and read a review of the exhibition by Catherine Rush for <a href="http://burnaway.org/review/a-bad-question-wonderroot/">Burnaway</a>.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNfpIJ76_4W4X5gWBe8GyF5VQ9KnNST1SnCr7lFe-W_D5X2kx0kfqHBnc5wFsqese_NtyGznHPtAb6xvoOf1MXpdlgEzXgGsZr3d3fdgopPFfyduINj9Geuarl533mtCsIOB1m3OArvtA/s1600/groupstage.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNfpIJ76_4W4X5gWBe8GyF5VQ9KnNST1SnCr7lFe-W_D5X2kx0kfqHBnc5wFsqese_NtyGznHPtAb6xvoOf1MXpdlgEzXgGsZr3d3fdgopPFfyduINj9Geuarl533mtCsIOB1m3OArvtA/s320/groupstage.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Members of SSA and tART on stage during A Bad Question feminist symposium. Moderated by Kali-Ahset Amen, PhD<br /></td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Members of SSA and tART and friends in Atlanta.<br /></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNwCI-sIZVGk_G7gIgseRFUPh5cGISGca9Lzx0r_0E-I2Ux1-tCrBalB75a9708RUUZl6HJ8YOpS72eYZ4JMgYkE4Dx-Rk5T0W5whTa4L_hRwrcWxhfqEd8xv6s80D15W5k3I9aQ4Rp58/s1600/WonderGroup.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNwCI-sIZVGk_G7gIgseRFUPh5cGISGca9Lzx0r_0E-I2Ux1-tCrBalB75a9708RUUZl6HJ8YOpS72eYZ4JMgYkE4Dx-Rk5T0W5whTa4L_hRwrcWxhfqEd8xv6s80D15W5k3I9aQ4Rp58/s320/WonderGroup.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Artists at the Wonderroot exhibition.<br /></td></tr>
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Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-55113948657617350582016-02-14T20:00:00.000-08:002016-02-15T21:59:34.519-08:00"How to Gentrify" Series: New Pieces<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRV8oHTvSP_OZfrncTCEPyCGFAzwwG0yqshrrAd44jyxloiexPyQLCTqqcA4BOGuXdKacwyhkB6Cc3BnQlgA8xdmVCz063eXcDs281PP2_V-AQjRnFPfnciWrgzw4YVotVCgBKejVYP2g/s1600/IMG_7831.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRV8oHTvSP_OZfrncTCEPyCGFAzwwG0yqshrrAd44jyxloiexPyQLCTqqcA4BOGuXdKacwyhkB6Cc3BnQlgA8xdmVCz063eXcDs281PP2_V-AQjRnFPfnciWrgzw4YVotVCgBKejVYP2g/s320/IMG_7831.JPG" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"How to Gentrify (Arena)"<br />Materials: Fabric basket, wall primer, makeup<br />16.5" x 15" x 10"<br /><div style="text-align: start;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieIKOK3XJIre7JF09LRhE688N2tqOpSMKU39qLc1vVofKVmKWbzOLPovuTbIKZ5g2UfDWOw2BjOAQhl9zWnNYJHlvOlo4RiJ_Anp9DKO7uPHEpS3jJNAz8D4Ej7Nn8Y_PEw_FvBesZmEs/s1600/IMG_7833.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieIKOK3XJIre7JF09LRhE688N2tqOpSMKU39qLc1vVofKVmKWbzOLPovuTbIKZ5g2UfDWOw2BjOAQhl9zWnNYJHlvOlo4RiJ_Anp9DKO7uPHEpS3jJNAz8D4Ej7Nn8Y_PEw_FvBesZmEs/s320/IMG_7833.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"How to Gentrify (Arena)" - detail</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKv1CySEqn-sWgR_IGk2dppuwvpk8dGJlTYRs8Us7KMfMs9lC9lFRZDScOgPDHkhyHo06hpwxJF5LrZxxt8GxLllj0vkMc0GF4B7wc8KknqXCQkSP_BlLdfToR0Jgf5ubBu0enznAeYos/s1600/12698596_10156584396575445_546840317373012250_o.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="191" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKv1CySEqn-sWgR_IGk2dppuwvpk8dGJlTYRs8Us7KMfMs9lC9lFRZDScOgPDHkhyHo06hpwxJF5LrZxxt8GxLllj0vkMc0GF4B7wc8KknqXCQkSP_BlLdfToR0Jgf5ubBu0enznAeYos/s320/12698596_10156584396575445_546840317373012250_o.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"How to Gentrify III"<br />Materials: Bleached fabric, wood, thread<br />6.5" x 11" x 1.75"</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixEJmqstEtNSL1op_UaUjlxdC4VyjwwqL52WmPN1_EoEp7oLu8BXAoQ_U427EHVk4-_5dKvowrvtqSfW74yU_PV-ER8MtqmSfiXzqDmrMDwDWs4aDse0BHE-xqR8XSPI0-tt2blwtT1vk/s1600/12698187_10156584406355445_3495186147888894605_o.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixEJmqstEtNSL1op_UaUjlxdC4VyjwwqL52WmPN1_EoEp7oLu8BXAoQ_U427EHVk4-_5dKvowrvtqSfW74yU_PV-ER8MtqmSfiXzqDmrMDwDWs4aDse0BHE-xqR8XSPI0-tt2blwtT1vk/s320/12698187_10156584406355445_3495186147888894605_o.jpg" width="191" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"White Hole"<br />Materials: T-shirt, shoelaces, clothesline, clothespins.<br />28.5" x 52" x 2"</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqczLuq_UEpNJSAWxE0Y0ahVmWdGmIYktzd2BA-IyT6NI31bjQtmtaKg_POPtF17cLqRXCm0fcPOgchJY1Hdlq4UaN2_nn0tqULdeO0oqmNTpzqGwPzXKEMHGC3M__uFycvWUwf1IEBV8/s1600/12716414_10156584405285445_5598076158280203526_o.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqczLuq_UEpNJSAWxE0Y0ahVmWdGmIYktzd2BA-IyT6NI31bjQtmtaKg_POPtF17cLqRXCm0fcPOgchJY1Hdlq4UaN2_nn0tqULdeO0oqmNTpzqGwPzXKEMHGC3M__uFycvWUwf1IEBV8/s320/12716414_10156584405285445_5598076158280203526_o.jpg" width="191" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"White Hole" - detail</td></tr>
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<br />Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-84110254327965152072015-04-30T22:18:00.000-07:002015-05-07T23:59:38.154-07:00New Work at York College Fine Arts Gallery<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp9ktu_h91kh0fPiO9a_oAXJCSq26uQpCYglGYUc-4YPSaJvfmxUN3Y8pX6hoguaXrWRIRgu7jRAEAqPOIMVRLq3CpfGfUDbPHK8KFyemeKAtXIXUtTOdZF3ZLhNh5E90RO50r4pGMFBw/s1600/york.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp9ktu_h91kh0fPiO9a_oAXJCSq26uQpCYglGYUc-4YPSaJvfmxUN3Y8pX6hoguaXrWRIRgu7jRAEAqPOIMVRLq3CpfGfUDbPHK8KFyemeKAtXIXUtTOdZF3ZLhNh5E90RO50r4pGMFBw/s320/york.jpg" width="320" /></a></div>
Here is the finished piece that I made during the course of the exhibition <a href="https://orinink.wordpress.com/2015/03/24/artsuzanne-broughel-and-basha-ruth-nelson-york-college/"><i>Freedom</i></a> at York College Gallery.<br />
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The title of this piece is <i>White Liberal Hustler Making Ebola Jokes</i> (#1). It is made from bandages, bleached on the ends and bronzed with fake tan lotions in the center. To view the making of this piece, see my post from <a href="http://fortyacresofbandaids.blogspot.com/2015/04/work-in-progress-at-york-college-fine_16.html">4/16/15</a>.<br />
<br />Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.com0tag:blogger.com,1999:blog-3418933122859041789.post-75514249803461047212015-04-17T21:59:00.000-07:002016-10-15T14:56:55.884-07:00Group Show at Columbia University's Wallach Art Gallery<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8BBqk2IetieXGHyDHN1m_PebPH8osELnysB-T1z2PvQrSICIY-YIPeoLcTKxbwfjnObPXZtrLC089jtVHBCmWij7fJDBqQe2MycZjOjSZijZljb2MA59Q1UhdjZlEn1VjhJqcWyVyo5k/s1600/acb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8BBqk2IetieXGHyDHN1m_PebPH8osELnysB-T1z2PvQrSICIY-YIPeoLcTKxbwfjnObPXZtrLC089jtVHBCmWij7fJDBqQe2MycZjOjSZijZljb2MA59Q1UhdjZlEn1VjhJqcWyVyo5k/s320/acb.jpg" width="320" /></a></div>
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<span style="color: #1a1a1a; font-family: "times new roman"; font-size: 13.0pt;">My
work is included in this group exhibition at Columbia University’s Wallach Art
Gallery, on view April 22 through June 13, 2015:</span><br />
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<i><span style="color: #1a1a1a; font-family: "times new roman"; font-size: 13.0pt;">a curious blindness</span></i><span style="color: #1a1a1a; font-family: "times new roman"; font-size: 13.0pt;"> reflects a moment captured by eighteen
early- to mid-career artists who engage with the complex climate of race and
identity politics. Despite their varied backgrounds and influences, there is a
shared consciousness of how people of color are treated and represented in a
purportedly post–racial era. The selection of works within the exhibition
responds and reacts to the institutionalized racism that permeates the
quotidian through media, consumer capitalism, and the art-historical canon. The
artists are influenced by ideas of portraiture, seriality, and the consumable
that evoke the ways in which the body of color has been objectified and
abbreviated through time. </span></div>
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<i><span style="color: #1a1a1a; font-family: "times new roman"; font-size: 13.0pt;">a curious blindness</span></i><span style="color: #1a1a1a; font-family: "times new roman"; font-size: 13.0pt;"> is curated by Vivian Chui, Tara
Kuruvilla, and Doris Zhao. It is the third presentation of <i>MODA Curates</i>—an
annual opportunity offered by The Miriam and Ira D. Wallach Art Gallery and the
MA in Modern Art: Critical and Curatorial Studies Program (MODA) for
outstanding curatorial proposals related to students' theses.</span></div>
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<span style="color: #1a1a1a; font-family: "times new roman"; font-size: 13.0pt;">Artists: Elia Alba,
Firelei Baez, Suzanne Broughel, Ling Chun, Suntek Chung, Amir H. Fallah, Paula
Garcia, Girl (Chitra Ganesh & Simone Leigh), Hassan Hajjaj, Nora Howell,
Timothy Hyunsoo Lee, Ahmed Mater, Divya Mehra, Jayson Musson, Rashaad Newsome,
Sondra Perry, Paul Anthony Smith</span><br />
<span style="color: #1a1a1a; font-family: "times new roman"; font-size: 13.0pt;"><br /></span>
<span style="color: #1a1a1a; font-family: "times new roman"; font-size: 13.0pt;">A pdf of the exhibition catalog is available <a href="https://drive.google.com/file/d/0B0EjWFtcME9nMDNtS3I5bktuUlU/view?usp=sharing">here</a>.</span></div>
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<span style="color: #1a1a1a; font-family: "times new roman"; font-size: 13.0pt;">Gallery <a href="http://www.columbia.edu/cu/wallach/exhibitions/A-Curious-Blindness.html">website</a>.</span></div>
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<span style="color: #1a1a1a; font-family: "times new roman"; font-size: 13.0pt;">NY Times <a href="http://www.nytimes.com/2015/05/08/arts/design/review-a-curious-blindness-at-wallach-art-gallery.html?smid=fb-share&_r=0">review</a> by
Holland Cotter.</span></div>
Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-1805648156303656142015-04-16T22:00:00.000-07:002015-09-27T17:21:02.878-07:00Work in Progress at York College Fine Arts GalleryExhibition: <i>Freedom</i><br />
March 16 - April 24, 2015<br />
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Gallery as studio.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoI1991pSFGmD6sDNkXANR_bMl55jnAHaFZOIx02sU9dBj_uCXPprekJmwZXGrLFcxOfVabkoM8l4V59YB6r6flruCVasjqrGAjKTSn6-2FbFKD29eHbCiqlMXSnhW13Gp1D-y5WtPGzM/s1600/york1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoI1991pSFGmD6sDNkXANR_bMl55jnAHaFZOIx02sU9dBj_uCXPprekJmwZXGrLFcxOfVabkoM8l4V59YB6r6flruCVasjqrGAjKTSn6-2FbFKD29eHbCiqlMXSnhW13Gp1D-y5WtPGzM/s1600/york1.jpg" width="191" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Trying to bleach bandages with skin lightening cream.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Cd5knrufpdGs9UJJKf4vs3pHUFf0hAIs6VdxHu4T6NTNf-_rI7DMjr5yCRnEkWbEnw0RyM70FDxJOzu6WkqU-NRjcAiRSp84bOajcFH8yuu2JwHUkgO_Q5kRme6x728OzwLvYmBFh7c/s1600/York2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="191" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Cd5knrufpdGs9UJJKf4vs3pHUFf0hAIs6VdxHu4T6NTNf-_rI7DMjr5yCRnEkWbEnw0RyM70FDxJOzu6WkqU-NRjcAiRSp84bOajcFH8yuu2JwHUkgO_Q5kRme6x728OzwLvYmBFh7c/s1600/York2.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Comparing skin tones of 99 Cent Store bandages.</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Bandages. Bleached ends. Drying on clotheslines in the gallery.</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Work station in the gallery.</td></tr>
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<br />Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-60662324048879626332014-05-08T20:00:00.000-07:002014-05-11T01:47:19.130-07:00"Ten" @ Cindy Rucker Gallery: Jayson Keeling, CuratorTen is a three day art event at Cindy Rucker Gallery featuring ten curators - each choosing ten artists. My work was chosen by Jayson Keeling. The other curators are Eun Young Choi, Ian Cofre, William Cordova, David Andrew Frey, Rick Herron, Colette Robbins, Cindy Rucker, Brad Silk, and Southfirst. <br />
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The exhibition is co-organized by Culturehall. More at this <a href="http://ten-nyc.com/"><span style="color: blue;">link</span></a>.<br />
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Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-47041343337495745772014-03-05T19:43:00.000-08:002015-12-15T19:51:30.835-08:00Nat Creole Magazine Interview with Suzanne BroughelThis is an interview I did with Phillip Harvey in Fall 2007 for Nat Creole Magazine No. 17. It is no longer available online, so I've made it available as a PDF. It was a good conversation and I appreciated the questions.<br />
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Here is the link to the PDF:<br />
<a href="https://drive.google.com/file/d/0B0EjWFtcME9nUHJabWp5UWFiX2M/view?pref=2&pli=1"><span style="color: blue;">Nat Creole Interview with Suzanne Broughel</span></a><br />
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I was happy to see that Nat Creole still has an online presence on Pinterest, where my recent mail art project was pinned. You can see that <a href="https://www.pinterest.com/pin/18436679698757379/"><span style="color: blue;">here</span></a>.Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-75765596490981584142014-01-17T18:53:00.000-08:002014-02-13T23:40:25.530-08:00Mail Art: A conceptual sculpture at Winkleman Gallery<div class="separator" style="clear: both; text-align: center;">
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(UPDATE: The exhibition was reviewed by Holland Cotter in the New York Times. Read the review <span style="color: blue;"><a href="http://www.nytimes.com/2014/02/07/arts/design/the-wayland-rudd-collection.html?ref=design&_r=1"><span style="color: blue;">here</span></a>.</span>)</div>
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<a href="http://yevgeniyfiks.com/home.html"><span style="color: blue;">Yevgeniy Fiks</span></a> , who organized this exhibition, asked a group
of artists and scholars to respond to his archive of Soviet Russian images
depicting Africans and African-Americans.
The results are on view at Winkleman Gallery through Feb. 22, 2014 in
<a href="http://www.winkleman.com/exhibitions/1489"><span class="Apple-style-span" style="color: blue;">“The Wayland Rudd Collection”</span></a> .</div>
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Though it spans decades, the archive is named after Wayland
Rudd, an African-American actor who moved to Russia in the 1930’s, to escape
the racism he faced in the U.S.</div>
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I was very interested in the postage stamp images in the
archive, and chose to respond to those. There are Russian stamps depicting
Nelson Mandela, a raised Black Power fist, and several variations of idealized,
racially diverse groups of children and adults.<span style="mso-spacerun: yes;"> </span>I turned those stamp images into stationery letterhead for a
mail art project.<span style="mso-spacerun: yes;"> </span>Participants
were asked to respond – in words or visuals – to the story of Wayland Rudd and
its aftermath, in relation to their own identity and our present moment.<span style="mso-spacerun: yes;"> </span>Respondents include artists, antiracist
organizers, scholars, and performers.</div>
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I hand made envelopes for participants to use to mail back
their responses in.<span style="mso-spacerun: yes;"> </span>Each envelope
is a fragment of a large photo of Wayland Rudd and his Russian wife, Paulina
Marksiti.<span style="mso-spacerun: yes;"> </span>After the envelopes were
mailed back to me (stamped with vintage Paul Robeson stamps), I reassembled the
photo fragments.<span style="mso-spacerun: yes;"> </span>The gallery
installation includes this large image – sewn into clear vinyl – alongside a
binder of participants’ mail art responses.</div>
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<span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS'; font-size: 11px; line-height: 15px;"><b>Artists in the exhibition:</b> Ivan Brazhkin, Michael Paul Britto, Suzanne Broughel, Maria Buyondo, Zachary Fabri, Joy Garnett, Alexey Katalkin, Kara Lynch, Nontsikelelo Mutiti, Nikolay Oleynikov and Arkadiy Kots Band, Natalia Pershina-Yakimanskaya (Gluklya), Jenny Polak, Dread Scott, and Haim Sokol</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIbeDZ38bcIiLuwZY7YQ2mkslM1H2laHbnwvv5G8EqAVQCzMUCy-xl30hHnRqQW3mm8kq1tDTm2oi1KG1FbMfnPhIksQadNRgRVb4S_K46IMvi1SvCn2iY4iR_2jUVLWYNsoTRjA1KZ7Y/s1600/rudddetailwithstamp.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIbeDZ38bcIiLuwZY7YQ2mkslM1H2laHbnwvv5G8EqAVQCzMUCy-xl30hHnRqQW3mm8kq1tDTm2oi1KG1FbMfnPhIksQadNRgRVb4S_K46IMvi1SvCn2iY4iR_2jUVLWYNsoTRjA1KZ7Y/s1600/rudddetailwithstamp.jpg" height="240" width="320" /></a></div>
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"Mail Conversation (For Wayland Rudd)" by Suzanne Broughel, 2014</div>
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Materials: Laser prints on paper, vinyl, binder containing correspondence.</div>
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<span style="font-size: x-small;">Top photo: courtesy of Louis Chan Bottom photo: courtesy of Ray Llanos</span></div>
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<span class="Apple-style-span"><b>Mail Art Participants: </b><u> </u></span><span class="Apple-style-span" style="font-weight: bold;"> <span class="Apple-style-span" style="font-weight: normal;"></span></span></div>
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<span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><a href="http://yevgeniyfiks.com/home.html"><span class="Apple-style-span" style="color: blue;">Yevgeniy Fiks</span></a>, Megan Malone, <a href="http://missingmodules.wordpress.com/"><span class="Apple-style-span" style="color: blue;">Tracy Ann Essoglou</span></a>, <a href="http://drdavidjleonard.com/"><span class="Apple-style-span" style="color: blue;">Dr. David J. Leonard, Ph.D.</span></a>, Rebecca Rubin Akan, Oshin Akan, <a href="http://adreonarts.com/"><span style="color: blue;">Gretchen Adreon</span></a>, <a href="http://withabrooklynaccent.blogspot.com/"><span class="Apple-style-span" style="color: blue;">Dr. Mark Naison, Ph.D.</span></a>, <a href="http://about.me/kyragauntphd"><span class="Apple-style-span" style="color: blue;">Dr. Kyra D. Gaunt, Ph.D.</span></a>, <a href="http://www.uralineseptembrehager.com/"><span style="color: blue;">Uraline Hagar</span></a>, <a href="http://www.podcastgarden.com/podcast/bwpodcast"><span class="Apple-style-span" style="color: blue;">Zac Henson</span></a>, <a href="https://www.facebook.com/pages/Vaughn-Spann-visual-artist/171102269573432"><span style="color: blue;">Vaugh Spann</span></a>, <a href="http://elizabethsturgesllerena.blogspot.com/"><span class="Apple-style-span" style="color: blue;">Elizabeth Sturges-Llerena</span></a>, <a href="http://www.antiracistalliance.com/"><span class="Apple-style-span" style="color: blue;">Anna Berg</span></a>, <a href="http://vanoscreative.com/"><span style="color: blue;">VanOs</span></a>, <a href="http://hycide.com/"><span class="Apple-style-span" style="color: blue;">Carrie Stetler</span></a>, <a href="http://www.lightbolt.net/"><span class="Apple-style-span" style="color: blue;">Nicky Enright</span></a>, <a href="http://www.rebornhome.com/"><span class="Apple-style-span" style="color: blue;">Noelle Lorraine Williams</span></a>, <a href="http://www.commercialappeal.com/news/2011/apr/08/inspired-by-mother-nature/"><span class="Apple-style-span" style="color: blue;">Tobacco Brown</span></a>, Dulcie Canton, Elizabeth Morgan, <a href="http://www.flickr.com/photos/liberationplease/"><span class="Apple-style-span" style="color: blue;">Miles Partington</span></a>, <a href="https://www.facebook.com/gantalism"><span class="Apple-style-span" style="color: blue;">Jerry Gan</span>t</a>, Carl
Hazlewood, Mary-Jackelyn Downing, <a href="http://kafny.org/2013/01/common-ground/"><span style="color: blue;">Heng-Gil Han</span></a>, <a href="http://blindspotproject.tumblr.com/"><span class="Apple-style-span" style="color: blue;">Russell G. Jones</span></a>, <a href="http://www.antiracistalliance.com/"><span class="Apple-style-span" style="color: blue;">Jordan Margolis</span></a>, <a href="https://www.facebook.com/pages/Kimberly-MBecoat-Visual-Artist/195403193803333"><span style="color: blue;">Kimberly Becoat</span></a>, <a href="http://www.nikkischiro.com/_Home.html"><span class="Apple-style-span" style="color: blue;">Nikki Schiro</span></a>, <a href="http://www.artslant.com/global/artists/show/298561-erika-pettersen"><span style="color: blue;">Erika Pettersen</span></a>, <a href="http://swatikhurana.com/"><span class="Apple-style-span" style="color: blue;">Swati Khurana</span></a>, <a href="http://monakamal.com/home.html"><span class="Apple-style-span" style="color: blue;">Mona Kamal</span></a>, <a href="http://www.tattfoo.com/"><span style="color: blue;">Tattfoo Tan</span></a>, <a href="http://www.fountaingallerynyc.com/Artist-Info.cfm?ArtistsID=452&Collection=&info=CV&ppage=6"><span style="color: blue;">Anthony Newton</span></a>, <a href="http://www.socialjusticeconnections.com/"><span style="color: blue;">Larry Yates</span></a>, <a href="http://egojeda.wordpress.com/"><span class="Apple-style-span" style="color: blue;">Edwin Gonzalez</span></a>, <a href="http://lawrencegrahambrown.com/home.html"><span class="Apple-style-span" style="color: blue;">Lawrence Graham-Brown</span></a>, <a href="http://momaps1.org/studio-visit/artist/coco-lopez"><span class="Apple-style-span" style="color: blue;">Coco Lopez</span> </a>, <a href="http://shantrelleplewis.com/"><span class="Apple-style-span" style="color: blue;">Shantrelle P. Lewis</span></a>, <a href="http://www.jodielynkeechow.com/"><span class="Apple-style-span" style="color: blue;">Jodie Lyn Kee Chow</span></a>, <a href="http://www.efanyc.org/ps-blog/2011/7/26/announcing-the-2011-residents-for-efa-project-spaces-studio.html"><span style="color: blue;">David Terry</span></a>, <a href="http://www.shanipeters.com/index.php?/cv/"><span class="Apple-style-span" style="color: blue;">Shani Peters</span></a>, Elz Cuya Jones, <a href="http://rayllanos.com/"><span class="Apple-style-span" style="color: blue;">Ray Llanos</span></a>, <a href="http://www.louischanphoto.com/Louis_Chan.html"><span class="Apple-style-span" style="color: blue;">Louis Chan</span></a>, <a href="http://jaretvadera.com/"><span class="Apple-style-span" style="color: blue;">Jaret Vadera</span></a> (plus two anonymous
participants)</span></span></div>
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<br />Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-26500456231584062812013-12-10T18:36:00.000-08:002014-01-25T19:22:16.442-08:00"White Liberal Hustler's Art Studio Is Now A Luxury Condo"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfpzp0g2ItbNB-9y-j3xPgkti29XMRveTLVab1LNlwIsmolblA-kwELkf7HWxWGA6acxNm4bQiw50A09OVTlgwRFlZ2UwjwXBdLS5RTPEUc3GUK4CmyRt1R7ru-rSi3zHfOyVvSeL0ufI/s1600/wlhusterartstudio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfpzp0g2ItbNB-9y-j3xPgkti29XMRveTLVab1LNlwIsmolblA-kwELkf7HWxWGA6acxNm4bQiw50A09OVTlgwRFlZ2UwjwXBdLS5RTPEUc3GUK4CmyRt1R7ru-rSi3zHfOyVvSeL0ufI/s1600/wlhusterartstudio.jpg" height="320" width="240" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjamBk6qzTa4YX5P5ZS-tchE6K6EsUUQSeeuaGQvaSHKKhHU8h58PG9p9y2tPNu3c48ollN6tmdiomtjYmRioP7-O5CGT2c_uSWRo-Mh07e1GrlzF5MYmEeoJ2xWCHvrfIBzyokIKTEyYc/s1600/wlhustlerdetail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjamBk6qzTa4YX5P5ZS-tchE6K6EsUUQSeeuaGQvaSHKKhHU8h58PG9p9y2tPNu3c48ollN6tmdiomtjYmRioP7-O5CGT2c_uSWRo-Mh07e1GrlzF5MYmEeoJ2xWCHvrfIBzyokIKTEyYc/s1600/wlhustlerdetail.jpg" height="320" width="240" /></a></div>
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New sculpture exhibited in <a href="http://tartnyc.org/exhibitions-public-engagement/2013-tart-flatbush-library"><span class="Apple-style-span" style="color: blue;">tART@Flatbush Library</span></a> Exhibition</div>
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"White Liberal Hustler's Art Studio Is Now A Luxury Condo" by Suzanne Broughel, 2013</div>
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Materials: Wooden crate, bleached African fabric, Ikea window blind, file folder, Rives paper, fingerprint ink, wall paint, shoelaces.</div>
<br />Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.com0tag:blogger.com,1999:blog-3418933122859041789.post-9569745700209525742013-11-22T18:25:00.000-08:002014-02-03T00:22:51.164-08:00Emancipation Exhibition at D.C. Arts Center<div class="separator" style="clear: both; text-align: center;">
Curated by Esther Iverem</div>
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Marking the 150th Anniversary of the Emancipation Proclamation</div>
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I am exhibiting two new works in this goup show.</div>
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Exhibition info <a href="http://www.catalogueforphilanthropy-dc.org/cfpdc/all-events.php?id=4132">here</a> .</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXgPszIIO9syrnJ05bspucqeRA5jG5pQq_2a7rbt2LHsNV6w2wN3gEx5TJysNJdz3520wyyoWEYcWSYZDOohfHj8liAnoZ44yh7xdd6tc4kq0gEZZivsZHPan0NXx60weRBNoqNvNPjcE/s1600/TheTruthWillSetYouFree.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXgPszIIO9syrnJ05bspucqeRA5jG5pQq_2a7rbt2LHsNV6w2wN3gEx5TJysNJdz3520wyyoWEYcWSYZDOohfHj8liAnoZ44yh7xdd6tc4kq0gEZZivsZHPan0NXx60weRBNoqNvNPjcE/s1600/TheTruthWillSetYouFree.jpg" height="320" width="226" /></a></div>
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"The Truth Will Set You Free" by Suzanne Broughel, 2013</div>
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Materials: makeup and white-out on paper</div>
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Dimensions: 16.5" x 11.75"</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl_GkPSgdrPi44Vpqe3seFUpyCGCQuKFT3JHdrOpG_DyN1bwYWsLbbQn17yLW2J69hKhzK8QCIpJ4e9et8AujF6bHCpDJ3OOzdpt3cYHqe7W68DKMI2dPxOmdOz7e_xfFETXPeCiaFxW0/s1600/04_Broughel_Suzanne_FreeYourMind(detail).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl_GkPSgdrPi44Vpqe3seFUpyCGCQuKFT3JHdrOpG_DyN1bwYWsLbbQn17yLW2J69hKhzK8QCIpJ4e9et8AujF6bHCpDJ3OOzdpt3cYHqe7W68DKMI2dPxOmdOz7e_xfFETXPeCiaFxW0/s1600/04_Broughel_Suzanne_FreeYourMind(detail).jpg" height="240" width="320" /></a></div>
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"Free Your Mind And The Rest Will Follow", 2013</div>
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Materials: paper, board, white-out, shoelaces</div>
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Dimensions: 24"x14.5"x1.5"</div>
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<br />Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-19930916244389697572013-10-24T19:41:00.000-07:002014-01-28T19:42:19.525-08:00Curate NYC Top 150<div class="separator" style="clear: both; text-align: center;">
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Honored to be voted among the Top 150 in<span class="Apple-style-span" style="color: blue;"> </span><a href="http://www.curatenyc.org/2013/suzanne-broughel-entry">Curate NYC 2013</a> </div>
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<span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="text-decoration: underline;">Curate NYC Judges</span></span></div>
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<span style="mso-bidi-font-family: Helvetica; mso-bidi-font-size: 14.0pt; mso-bidi-font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;">Regine Basha</span></span>, <span style="mso-bidi-font-family: Helvetica; mso-bidi-font-size: 14.0pt;">Independent
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<span style="mso-bidi-font-family: Helvetica; mso-bidi-font-size: 14.0pt; mso-bidi-font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;">Naima J. Keith</span></span><span style="mso-bidi-font-family: Helvetica; mso-bidi-font-size: 14.0pt;">, Assistant
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<span style="mso-bidi-font-family: Helvetica; mso-bidi-font-size: 14.0pt;">The Studio Museum in Harlem<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: Helvetica; mso-bidi-font-size: 14.0pt;">Owner Jeffrey Leder Gallery<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: Helvetica; mso-bidi-font-size: 14.0pt;"><span class="Apple-style-span" style="font-weight: bold;">Melissa McCaig-Welles</span>, Curator & CEO<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: Helvetica; mso-bidi-font-size: 14.0pt;"><span class="Apple-style-span" style="font-weight: bold;">Misha McGlown</span>, Program Director/Curator<o:p></o:p></span></div>
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Director Rush Galleries<o:p></o:p></span></div>
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Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-1731248657523357202013-10-24T16:41:00.000-07:002014-01-29T16:41:49.100-08:00"White Music Month" by Suzanne Broughel<div class="separator" style="clear: both; text-align: center;">
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"White Music Month" by Suzanne Broughel</div>
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Materials: File folder, fingerprint ink.</div>
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11.75" x 19"</div>
<br />Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.comtag:blogger.com,1999:blog-3418933122859041789.post-26801793298752588542013-06-12T17:07:00.000-07:002013-06-16T17:57:36.771-07:00Solo Show in Puerto Rico<div style="text-align: center;">
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<span style="color: #262626; font-size: 11.0pt; mso-bidi-font-family: "Lucida Grande";">Glittering self-tanning lotions, “nude” stockings, white-out,
cotton twine – mundane materials from everyday life are what New York artist
Suzanne Broughel uses to make works that question post-racial fantasies and
colorblind dreams.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-right: 27pt; text-align: left;">
<b><i><span style="color: #1a1a1a; font-size: 11.0pt; mso-bidi-font-family: Arial;">“Bleach Bronzed</span></i></b><i><span style="color: #1a1a1a; font-size: 11.0pt; mso-bidi-font-family: Arial;">”</span></i><span style="font-size: 11pt;"><span style="color: #1a1a1a;"> is Broughel’s
first solo show at TPP and Puerto Rico in which she presents a series of
small sculptures and works on paper that transform ordinary consumer items into
reflections of our present moment: post Civil Rights, with the first Black U.S.
President, yet still lacking the true equality striven for in the social
movements of the 1960’s and 70’s. Using materials found in the aisles of
office supply outlets, dollar stores, and health and beauty chains, her
references range from the free-flowing cultural appropriation of “hippie” and
“New Age” styles to the stark cultural erasure inherent in gentrification. </span><a href="http://trailerparkproyects.blogspot.com/2013/06/tpp-is-proud-to-present-suzanne.html"><span style="color: blue;">Read more</span></a></span></div>
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<br /></div>
<!--EndFragment--><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZoOA86QFlED70D-23aGeiP4PGILSl0yUD5kU4oumS-XaFD_oNt6pzF6_Hj8aDu15wtNKJdh7K-Ea0XnEd7cXLzNSWkMpuu4kiNhqibhBYFceEgneQQ0L2gzea6G1If_IO36cCTGUX8ow/s1600/1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZoOA86QFlED70D-23aGeiP4PGILSl0yUD5kU4oumS-XaFD_oNt6pzF6_Hj8aDu15wtNKJdh7K-Ea0XnEd7cXLzNSWkMpuu4kiNhqibhBYFceEgneQQ0L2gzea6G1If_IO36cCTGUX8ow/s320/1.jpg" width="246" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"White Liberal Hustler Trusts the Statistics", 2013.<br />
Skin bronzers, make-up, fingerprint ink on paper. 8.5" x 11"</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibdde_nyfDalSdBW2ER-RkKtAiCXa4G0sxRig8ArDkcXpBiylpZgmvPaXjAbvPnbdjY9RSaRWl517fjlviSc_d8G2d6K7Q0V0zXXLGTLwyv3wM3VXyVLkOq45hdqkisq6yVsafbpe_QJQ/s1600/2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibdde_nyfDalSdBW2ER-RkKtAiCXa4G0sxRig8ArDkcXpBiylpZgmvPaXjAbvPnbdjY9RSaRWl517fjlviSc_d8G2d6K7Q0V0zXXLGTLwyv3wM3VXyVLkOq45hdqkisq6yVsafbpe_QJQ/s320/2.jpg" width="244" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"White Liberal Hustler Watching the National Geographic Channel", 2013.<br />
Make-up, Wite-out, and fingerprint ink on paper.<br />
8.5" x 11"</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNJ8-KgYbe83P_-pBO8iJsmwkcYwcvFl1PE1MDqBbn-gJ2zCLA9hZPPK3Hz_L1fw39a_owGOqOeYBYdoP4UMWZJtTrqC-GCRc0qkLvtgbpi4k2zfkhkjK3QVAFxWLnWex3HFMYgzz1UtU/s1600/3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNJ8-KgYbe83P_-pBO8iJsmwkcYwcvFl1PE1MDqBbn-gJ2zCLA9hZPPK3Hz_L1fw39a_owGOqOeYBYdoP4UMWZJtTrqC-GCRc0qkLvtgbpi4k2zfkhkjK3QVAFxWLnWex3HFMYgzz1UtU/s320/3.jpg" width="225" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"I Don't See Color, #1", 2013<br />
Make-up and Wite-out on paper.<br />
16.5" x 11.5"</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2BLRLjegmIZ8dB2XOZxZgqlKOKKCKB-4vtgxeQWK6zYgX5DaiVfDMNOsnu_UBtrdZm-K3yPNHG5xqJhkP1H6o_Tfuo6CkU71OaHcWerK4Erh6DfruOcZpEgGuPMAnT8zYkF9WotTAPvY/s1600/4.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2BLRLjegmIZ8dB2XOZxZgqlKOKKCKB-4vtgxeQWK6zYgX5DaiVfDMNOsnu_UBtrdZm-K3yPNHG5xqJhkP1H6o_Tfuo6CkU71OaHcWerK4Erh6DfruOcZpEgGuPMAnT8zYkF9WotTAPvY/s320/4.jpg" width="244" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"White Liberal Hustler Loves Exotic Locales", 2013.<br />
Skin bronzers and fingerprint ink on folded paper.<br />
8.5" x 11"</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEOisXhwOVOu4u_QiJDSmX5ThtF4EG0VgPhixGhHfGZwn968CsIWkFSFYHQ7lGepXKBZfMb0NAtyNiaTH0dLKhAchmvvGlCAs3PEMn4KPmAdsY9mYU8gZ2M40xFwIW8Y1ADU7GACI7qRA/s1600/palette.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEOisXhwOVOu4u_QiJDSmX5ThtF4EG0VgPhixGhHfGZwn968CsIWkFSFYHQ7lGepXKBZfMb0NAtyNiaTH0dLKhAchmvvGlCAs3PEMn4KPmAdsY9mYU8gZ2M40xFwIW8Y1ADU7GACI7qRA/s320/palette.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Each work on paper comes with a "palette card".</td></tr>
</tbody></table>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
Suzanne Broughel Forty Acres of Bandaidshttp://www.blogger.com/profile/15428489377274336432noreply@blogger.com